Thursday, August 27, 2015
Wedding Disc Jockey in Philadelphia PA
Partymaster Entertainment has everything you’re looking for.
50,000 song titles means you’ll have the music that you and your friends are looking for. But it also means we will have songs for your parents and their guests…even for music for your grandparents.
There are also several lighting options that can be brought in to meet your preferences as well a fitting perfectly with your reception hall. You can combine night club lighting, uplighting, and monogram lighting.
Include a photo booth and your friends will be able to relive the excitement of the evening for all time.
You can also choose toadd green screen party favors, flip books, live text messaging, professional photography and videography, or a live simulcast. You can also arrange limo service through Partymaster Entertainment.
In summary, this is your one-stop headquarters for everything you wamt to make your wedding reception one they’ll remember for a lifetime.
So why don’t you pick up the phone right now and call for all the details for getting the best wedding disc Jockey setup in Philadelphia booked for your once-in-a-lifetime day. The phone number is 215-645-5113. Or you can visit us online at http://www.partymasterphiladelphia.com
Congratulations on your upcoming wedding. We wish for you all the best and would like nothing better than that we can be part of your most special day.
#weddingdjphiladelphia
Friday, August 14, 2015
Dr. Dre Says He Regrets Beating Up A Female Journalist In The '90s
Dr. Dre has finally addressed his abusive past.
In 1991, hip-hop journalist Dee Barnes accused the rapper of brutally beating her in a Los Angeles nightclub. In a statement, Barnes claimed that Dre, then a member of gangsta rap group N.W.A, “grabbed her from behind by the hair and proceeded to punch her in the back of the head.”
Dre did not deny the incident at the time, even bragging about it in a 1991 Rolling Stone interview where he stated, "I just did it, you know. Ain’t nothing you can do now by talking about it. Besides, it ain’t no big thing -- I just threw her through a door."
In a new interview for the August 2015 issue of Rolling Stone, the mogul now admits to deeply regretting his actions.
“I made some f**king horrible mistakes in my life. I was young, f**king stupid. I would say all the allegations aren’t true -- some of them are," Dr. Dre told the magazine.
"Those are some of the things that I would like to take back. It was really f**ked up. But I paid for those mistakes, and there’s no way in hell that I will ever make another mistake like that again."
The rapper recently released his final album, "Compton," to coincide with the world release of the N.W.A biopic "Straight Outta Compton." The film, which debuts on Aug. 14, has drawn criticism for glossing over the rap group's history of sexism and misogny -- including the incident between Dr. Dre and Barnes.
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Thursday, August 13, 2015
Chipmunk re-creation of Michigan-Michigan State rivalry sells for $1,500
Sunday, August 9, 2015
Friday, August 7, 2015
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'Minder' Actor George Cole Dead At Age 90
LONDON (AP) — George Cole, the British actor best known for playing conman Arthur Daley on the long-running TV series "Minder," has died. He was 90.
Cole's career spanned more than 70 years from his first stage appearance in 1939 and included more than 40 films, including "Cleopatra," with Richard Burton and Elizabeth Taylor. From 1979-1994 he starred as cigar-smoking, Jaguar-driving Arthur Daley on ITV's "Minder."
Set in London's criminal underworld, "Minder" followed the adventures of a small-time crook always on the lookout for his next dodgy deal. Cole's shifty but ambitious character captured the money-conscious spirit of Britain in the 1980s, and he was twice nominated for best actor by the British Academy of Film and Television.
Cole was surrounded by his family when he died Wednesday at the Royal Berkshire Hospital after a short illness, said agent Derek Webster, who represents Cole's "Minder" co-star Dennis Waterman.
Born in south London, Cole started working when he was 14, appearing in the chorus of "White Horse Inn" in 1939. He starred with Alastair Sim in the 1941 film "Cottage to Let," in which he played a resourceful evacuee from wartime London who unmasks a spy. Sim, an older actor with an established career, took him under his wing and the pair appeared together in several films, including the 1951 version of "A Christmas Carol."
Cole also appeared in some 30 plays and numerous television series, including "Walt Disney's Wonderful World of Color" in the United States.
Tributes poured in Thursday, including one from Tony Hall, the director general of the BBC.
"George Cole was a wonderful actor and he has a very special place in the public's affection," he said. "He will be greatly missed."
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Thursday, August 6, 2015
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Wednesday, August 5, 2015
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Uplighting and Event Lighting Philadelphia PA
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Tuesday, August 4, 2015
Gina Rodriguez Has An Affair To Remember On ‘Whose Line Is It Anyway?’
If you’re going to sweep Gina Rodriguez off her feet, you’re going to need a hand -- or two.
The “Jane the Virgin” star was the celebrity guest on Monday’s episode of “Whose Line Is It Anyway?,” playing alongside the show’s improv veterans Ryan Stiles, Wayne Brady, Colin Mochrie and Jeff Davis. But things got particularly out of hand when Stiles, Rodriguez and Mochrie’s hands were placed in a luxury hotel for a romantic rendezvous.
In the skit titled “Helping Hands,” Stiles popped some bubbly and fed threw the actress handfuls of grapes as she tried to keep up with the antics.
Earlier in the episode, the 31-year-old star challenged Brady and Davis to sing about her character Jane, reimagining her not as a virgin but as an organic corn farmer. The skit even inspired the actress to do a little bit of freestyle rapping.
Watch the "Helping Hands" segment above and check out the full episode on The CW.
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My Wife Is My Anti-Stereotype
When tasked with describing the complex and fascinating character of Jill to people who have never met her and aren't looking for a Shakespearean sonnet, it's the quippy, off-the-cuff thing I can say that gives one a sense of who she is immediately: "She's this crazy, aggressive, artist chick with a big afro who talks like a valley girl but paints these very intellectual paintings." At least that was my first impression of her.
It makes me wonder how people describe me. Perhaps: "He's this skinny guy who wears ratty old baseball tees." Yes, they smell. Yes, they're threadbare and yes, I love them like children.
Or maybe: "He calls himself a foodie, but he doesn't really eat anything." I don't eat pork or red meat, I hate cheese, detest vinegar and think mayo is the devil's condiment.
But really it's more like: "He's this bougie black guy who speaks like a Harvard professor and talks with his hands way too much." I talk with my hands way too much. It's a thing.
I certainly can't argue with any of those descriptions. They do describe some aspect of my personality. But somehow, ever since being married, I've become uneasy with the stereotypes I project out into the world.
Let me start from the beginning...
Most of us spend our adolescence trying to define who we are. I vividly remember practicing how to tie the perfect neck tie to prepare for high school. I was going to attend a Catholic school, one with a strict dress code, and in my mind, tying a tie properly separated the men from the boys.
And you better believe that I was going to be a man. A sophisticated man. One whose neck was delicately framed by a Half-Windsor Knot or, God-willing, a Pratt. I worked diligently and eventually perfected the procedure. I walked into my first day of school feeling like the Sophisticated Man™ I so desperately wanted to be. I wore my tie proudly and adopted a whole set of stereotypes that I thought constituted the essence of that man: I played chess, I read The New Yorker, I watched Frasier.
But when I actually became a man, when I actually grew towards wanting to become a mature, honest, emotionally available adult, I steadfastly clung on to a stereotype that inherently possessed contradictions with the man I wanted to be. The stereotype was comfortable, reassuring, and ultimately, profitable -- Sophisticated Man™ formed the entire basis of my approach to "Toofer" on 30 Rock.
When I met Jill, though, I was beginning to wonder if I had doubled down too hard on the identity I tried so desperately to forge in my youth.
Meeting her frightened me. Jill is open, honest, trusts her intuitions and is not afraid to display her emotions freely. She was everything I felt I was, but was too afraid to show. She was my anti-stereotype. She challenged me, made me see my habits and made me realize that my hand-talking was just a way of trying to express the emotions that wanted so desperately to break free.
In my acting work, I began to realize I was increasingly being cast in roles that required me to be "perfect": the perfect husband, the perfect employee, the perfect friend. In an attempt to carve out a career, I locked myself in as the sane and logical foil. Fun, because it meant I was a working actor; but limiting, because I never got to show fear or anxiety or love or hate of all things hipster.
Marrying Jill was my way of breaking free. A year ago, I went through a minor surgical operation (which I chronicle in my comedy web series Keith Broke His Leg -- SHAMELESS PLUG!) and for a week, had to completely relearn how to do even the smallest tasks. I see being married to a "crazy person" as a much more invasive surgical operation.
I am re-learning things I took for granted most of my adult life: how to have friends, how to have a career, how to interact with strangers. I now cry while watching The Notebook (and not from Ryan Gosling trying to pull off a ridiculous newsboy cap); I regularly try to interpret stupid dreams; I use way too many emoticons in text messages and I constantly think Facebook is an appropriate place to go on self righteous tangents about Donald Trump. I still talk with my hands, but now with much more feeling.
In truth, I can't currently define who I am completely. I'm still learning. I know that whoever I am now (or whoever I am becoming) doesn't fit neatly into some broad generalized box like Sophisticated Man™. Thanks to being married to a crazy, aggressive, big-afro artist chick, I'm slowly being able to express where I am emotionally, even if it contradicts what one may already know about me.
And perhaps that's what being married is about -- the ability to have a partner who helps you become a better you, no matter how hard you fight them.
Next time, I'll tell you what Jill and I do to help each other be the best version of ourselves. But in the meantime, let me know -- what would people describe YOU as? And are they correct?
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